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The folks at Collider were able to talk to Ron Howard at the 2020 Sundance Film Festival, and they knew what project the world most wanted an update on:

“We are developing Willow for Disney Plus,” Howard said. “And I don’t know about directing or not, but Jon Kasdan is writing, he’s very passionate about it, great job. We don’t have a green light yet, but if it goes, I’ll certainly want to roll up my sleeves and be a part of that, because that would be great, to revisit that world.”

Knowing that the project isn’t officially a go yet does clarify the matter a bit, but at least Disney approved the idea of having somebody map out the series, which is better than nothing. And it’s nice to know that Howard would be interested in an active role. Who better to direct the pilot? Mixnmojo in 2020 is Willow news central, after all, so we’ll let you know how things develop. Imagine if Cronkite had the courage to cover truly controversial subjects instead of Vietnam, and you’ll have a decent idea of what we’re all about here.

Indiana Jones news is so scanty that rumor is often all we have to go on. Well, today’s rumor, courtesy of the rumor-mongers at We Got This Covered, is that Disney is developing a television series starring the daughter of one Professor Henry Jones, Jr. The idea is that the character would be introduced in Indiana Jones 5, because back-channeling a reboot via Harrison Ford’s final film isn’t cynical at all.

Still, giving Indiana Jones a daughter (which the Young Indiana Jones wraparounds in fact do) has always been an idea with potential. Apparently it was considered for the fourth film, but Spielberg rejected it. (Not sure why Indy needed offspring at all, but whatever.) The idea of Indy passing the baton to a successor character in the fifth film has been speculated on quite a bit, and a daughter role would be as good as any for such a transition. I don’t know how old a daughter of Indy could be if she’s meant to be the legitimate child of the newly married Jones’s, but it’s hardly implausible that Indy would have fathered a few other bastards besides Mutt over the years.

What leaves me scratching my head, however, is why you’d want Indy’s successor trapped in the 1960s-70s. Unlike, say, Bond, which is flexible enough a sandbox to update with the times, Indiana Jones has always been tied to a particular era – the golden age of pulp – and it seems to me that departing from it was really only to accommodate Harrison Ford’s age. If there had been some way to freeze the actor at his Raiders age, we’d still be getting adventures set in the 30s and 40s. So, it’s hard for me to imagine what the future this rumor suggests would even look like. Once you’ve retired Ford and have some other adventurer running around during the Nixon presidency, are we really even resembling the original IP enough to bother connecting to it?

The main reason this rumor excites me is that it means by implication that there’s life left in Indiana Jones 5. Things have remained alarmingly silent on a project that pretty much has to be in front of the cameras in a matter of months if it is to make its release date. Either I’m unequal to the challenge of second grade arithmetic, or an announcement has to be arriving imminently. Rest assured that when the news breaks, Mojo will be the sixth to let you know.

If you would have told me fifteen years ago that the primarily thing keeping Mixnmojo alive was Willow news, I would have said, “That sounds about right.”

A month after it was reported that screenwriter’s son extraordinaire Jonathan Kasdan had turned in a pilot script for a potential Willow series, the writer (and, I presume, showrunner?) has tweeted a photo of a Willow Ufgood baseball cap pinned to a bullet board with the caption “The office is open.” The implication is heavy that a writers room is being convened, which puts this potential Disney+ series yet another step closer to reality. Hopefully Bob Dolman gets invited to the party.

Oh, and happy belated new year from The International House of Mojo!

To spite Temple-shading elitists like Remi and Thunderpeel, I decided to follow in the footsteps of Shiva by consecrating the 35th anniversary of the second – and, according to the sexual endowed, best – Indiana Jones installment with a three-page valentine as feverishly out-of-control as its endlessly rewatchable recipient.

Read my truth, then respond with yours in the comments.

Six months back it was reported that screenwriter Jonathan Kasdan and narrator Ron Howard got together to scheme about giving Willow a sequel in the form of a series on Disney+.  Now, Bleeding Cool reports that Kasdan has completed a pilot script for the potential project.  While that is far from a green light, it is material progress.  The existence of a script is more than you can say about, for example, Indiana Jones 5, which some have called the In the Valley of Gods of franchise film sequels.

Anywho, we at Mojo are pulling for this Willow show to become a thing, because when you consider what we have left to report on in 2020 aside from Psychonauts 2, things start to feel a little dour.  What are we supposed to do, start covering Star Wars?  I'll see the site become a Leisure Suit Larry hub first.

As pointed out earlier, we may be getting a Willow television series for the upcoming Disney+ streaming service.  Though it sounds far from a lock, Ron Howard says that his Solo cohort Jon Kasdan, freshly deposed from Indiana Jones 5, has a pitch for the series and that the talks with Disney have gotten "serious".  Here's the full quote from Opie:

There are some really serious discussions going on with Jon Kasdan, who was one of the writers of Solo, who kept hounding me about Willow the whole time we were shooting and also hounding Kathy Kennedy. We’re in discussions about developing a Willow  television show for the Disney+. And I think it’d be a great way to go. In fact, George always talked about the possibility of a Willow series, and it’d be great and more intimate, and built around that character and some of the others. And Jon Kasdan has, I think, an inspired take on it and it could be really, really cool.

A Willow series makes a degree of sense, and apparently Lucas was toying with the idea of an animated show fifteen years back, getting as far along as some concept art. There's also just the "Why not?" factor, given that everything else is getting revived. If Star Wars can justify eight more spinoff trilogies, don't tell me you can't throw Warwick Davis a bone and greenlight some new Willow content after thirty years.

Kasdan is as good a choice for adapter as any, for all I know, but I hope SCTV vet Bob Dolman is invited back to the universe. While there isn't a consensus that Willow's strengths outweigh its weaknesses, the endearing quirkiness it offered in moments surely occupies the former category, and I have a hunch about where it came from.

And so Mojo finds another project to desperately cleave to after Psychonauts 2 comes out.

Mojo never really did much to cover the new cinematic Star Wars trilogy or its assorted spinoffs, because who gives a damn, it’s not Willow there are countless better online destinations that offer exhaustive and up-to-the-minute coverage of that juvenile nonsense, which to our refined tastes lacks the understated dignity of Kevin Pollack in front of a green screen.

”Teh Mooj” is about the underdogs, and bizarre though it might sound, the Indiana Jones franchise kinda qualifies. Indy has always taken a backseat to Star Wars in both the cinematic and interactive mediums, and with a final installment of the “original recipe” series (meaning, movies that star Harrison Ford and are directed by Steven Spielberg) possibly in the cards, we’re going to try to follow the production as closely as other sites will track the pulse-pounding progress of Episode XIXVV, or whatever installment of that shabby Princess of Mars knockoff we’re on.

Having made that declaration, let’s play catch-up on Indy 5’s sluggish development. In the first eight years after Crystal Skull was released to glowing reviews by Gabez and The Tingler, Lucas and Spielberg made about as much progress on a fifth film as LucasArts did with not dying. In 2016, the film was formally announced with David Koepp as screenwriter and a release date of July 19th, 2019. During the two years Koepp was on the project, the release date was pushed back (to July 10th, 2020), but he indicated that progress was going well. This seemed to be supported by Spielberg who, while promoting Ready Player One in the spring of last year, indicated that he would commence shooting on Indy 5 in the UK in April 2019.

Alas, they were all just pulling our leg the whole time. In June 2018, it was reported that Koepp was out and Jonathan Kasdan (son of Lawrence Kasdan and the screenwriter for Solo: A Star Wars Story) was in for what amounted to a total reset, and with that the release date was kicked further down the road to July 9th, 2021. Spielberg consequently swapped out Indy 5 for his long-gestating remake of West Side Story as his next project, and he is currently prepping it for a shoot that begins next month. Indy 5, if they ever get a script written (and why should we expect eleven years to be long enough for that?) will directly follow.

Too bad they don’t appear to be any closer to delivering that screenplay. The latest rumor is that Kasdan has been shown the door, and scriptwriting duties have been transferred yet again, this time to Disney favorite Dan Fogelman (Cars, Tangled, and the television series This Is Us), for whom the stakes are pretty high when you consider Harrison Ford’s penchant for flying his private plane underwater without a seatbelt.

But the best part is what Kasdan is now working on instead of Indy 5. You guessed it: he and Ron Howard are pitching a Willow television series for the upcoming Disney+ service. It may sound like I’m making this up, but it’s all quite true, completely vindicating my controversial but retrospectively prescient tilt of Mojo toward all things Willow. I knew which way the wind was blowing, fans.

And so, this news post has come full circle. *kisses fingers*

After being available on Amazon Prime for a while, it seems that the four Indiana Jones movies will be switching to Netflix as their exclusive streaming home beginning in January. We report this because we’re all about Lucasfilm. With the obvious exception of anything Lucasfilm has been doing since 1989.

So if you don’t own this classic film series on eight different home video formats already, perhaps this will serve as a handy excuse for some of you to enjoy Indy’s cinematic adventures for the umpteenth time while you await Indiana Jones 5, due out July 9, 2021. Upon hearing that release date, 86-year-old composer John Williams was overheard to declare: “lol”.

Comments: 2 / Source: Collider

In honor of Willow’s 30th anniversary, I sportingly elected to use it as a cudgel to beat on other movies with. Check out my new rant that decries the way movies look nowadays, using Willow as a tortuously coerced polestar in a desperate attempt to be able to market the piece as Mojo-relevant.

Thanks to Remi for the header

Way back in 2013, the Lucasfilm classic Willow finally debuted on Blu-ray to sales that dwarfed every Star Wars release combined. About eleven seconds later, it fell out of print, having vanished as surely as a pig beneath an apprentice sorcerer's cloth.

The reasons why remain murky. The release roughly coincided with the acquisition of Lucasfilm by Disney, so perhaps there were prosaic legal complications. At any rate, the title became a favorite of eBay scalpers, commonly selling for over a hundred smackers on the second hand marketplace only a year after it came out. The situation was sad, bleak, hopeless. We measure the lives lost by the cemetery.

Now, for the movie's 30th anniversary, it looks like this grievance is getting addressed. Pre-order listings for a reissue have begun to spring up on various online retailers. The implication is that you will be able to obtain Willow by disc or by stream for a reasonable price on January 29th, 2019.

And that, handsome gentlemen, is the kind of news we at Mojo proudly risk our lives to bring you.

Continuing today's accidental theme of Sam's voice actors, Gameranx has an interview with Bill Farmer. Farmer is of course best known as the voice of Goofy for Disney, but Sam & Max gets a mention as well:

Gameranx: You voiced Sam in Sam & Max Hit the Road, whose voice sounds like a more toned-down version of Goofy. Phonetically, how did you make them different?

Bill Farmer: Well Steve Purcell had brilliant dialogue for the game, and I wanted to bring something deadpan but still comedic to the role. So it was a bit of Johnny Carson and more Humphrey Bogart.

Farmer also explains why he did not reprise the role for the television show, which was new to me:

You never know why you don’t get something. They just don’t call. Maybe they forgot I was in the first one, maybe they found somebody they liked better, who knows. That’s part of the business. Like with Sam & Max, they did a cartoon show which was not union. I’m a union actor. They took that to Canada to cast which is why I didn’t do that. And so maybe they got on that non-union bandwagon, and you never know with all the politics. A lot of it’s politics, too. So you just stay grateful for the ones you get, and say, hey I’m available if you need me!

Visit Gamerax to listen to the audio recording of the full interview.

Comments: 4 / Source: Gameranx

Harvey Atkin, who voiced Sam in the Sam & Max animated series, passed away on July 18th. Atkin was the second of three voice actors who have so far taken on the role of Purcell's character, though he is more widely known for his roles on TV shows such as Cagney and Lacey and Law and Order, as well as the Ivan Reitman comedy Meatballs, which he co-starred in opposite Bill Murray.

Thanks to "Threepwood4life" for bringing this to our attention in the comments.
If you have a quarter of an hour to spare, why not watch the first episode of a LEGO fanfilm adaptation of the classic LucasArts Star Wars shooter Dark Forces III: Jedi Knight II: Jedi Outcast.



If the youtube video doesn't display above, use this link instead.

Comments: 3 / Source: Youtube

At some point I decided that the Bone movie is Mixnmojo-relevant on the basis of the Telltale games, and while my argument has a few holes in it, I figured you guys wouldn't pick today - which comes a solid two weeks since our last news post - to challenge me on this.

So last we heard, P.J. Hogan (known for the 2003's Peter Pan) was set to direct the animated film. That was Jan. 2012, after which we've heard nothing. Today, The Hollywood Reporter breaks the silence to reveal that there's a new director (the Kung Fu Panda guy) and a new script, which will be designed as the first installment in a trilogy.

Will this finally happen? Will it be good? I sure hope so. Few adaptations are more overdue than Bone. Mostly though I'm curious to find out how different/similar to the Telltale games the music and voicework will end up being. Say, maybe this is a good time for the studio to end that ten-year hiatus on their own Bone adaptation?

Our friends at Campo Santo struck an exciting and unexpected partnership with film production company Good Universe (Oldboy,Neighbors). Hollywood Reporter has the scoop, which has admittedly seen hotter days:

Good Universe is teaming with independent video game developer and publishing company Campo Santo to develop content for both video games and feature films.

The companies will create a home for talent to develop projects that can bridge both the video game and feature film worlds. Their first project with be a film adaptation of Campo Santo’s first video game, Firewatch. The critically acclaimed game, released in February, is a first-person experience starring The Walking Dead's Cissy Jones and Mad Men's Rich Sommer. In the game, set in the Wyoming wilderness, a fire lookout named Henry uncovers clues in the wilderness about mysterious occurrences and a shadowy figure that seems to watch him from afar. His only means of communications is via a walkie-talkie with his supervisor, Delilah. It has sold almost 1 million copies to date.

“When we met Good Universe we were floored by how they recognize, cultivate and produce incredible stories. It's rare you meet another group that shares so many of your values and makes the process of creating things even more exciting. We can't wait to see what we make together," said Campo Santo founder Sean Vanaman, who announced the deal with co-founder Jake Rodkin and Good Universe’s co-founder Joe Drake and vp international Akshay Mehta.

The idea of a Firewatch movie is rad enough, but the broader relationship between the two studios described by the press release sounds intriguing and possibly unprecedented. We at Mojo of course cannot take all of the credit for this. Only most of it.

Animator Patrick Schoenmaker has released an Indiana Jones short. To say it's beautiful is an understatement. To fully justify its inclusion here on Mojo, there is a Fate of Atlantis sequence around the 46 second mark.


Video Link

Famous archaeologist Dr. Indiana Jones is on a quest of a lifetime, but this time he is fully animated in this passion project by life long fan and artist Patrick Schoenmaker. Over the course of 5 years, he has crafted the opening sequence of what would be the tv series to make all other tv shows redundant: "The Adventures of Indiana Jones"!


If LucasArts / Disney ever resurrect Indiana Jones video games, I'd love an adventure game in that style.

Yesterday, actor and voice actor Alan Young died of natural causes at the age of 96. A prolific performer, Young is best known and beloved worldwide as Wilbur Post - the human sidekick of Mister Ed - and of course as the voice of Scrooge McDuck in DuckTales, a role he continued to voice in work as recent as this year.

Here at Mojo, though, he will always be remembered as Haggis McMutton, one of Guybrush's amicably mutinous crewmen in The Curse of Monkey Island. We thank him for his characters and congratulate him on the immortality.

It's official, and it ain't gonna be no reboot neither. This will be a proper fifth installment with Harrison Ford and Steven Spielberg.

I know many will be dubious, but I say bring it on. The oddly lethargic Crystal Skull is all the more reason to do this - the Ford era deserves a better send off. Age isn't an issue; Ford looked great in the new Star Wars and walked away from a freaking plane crash recently.

My suggestion? Keep Indy overseas for the whole movie a la Temple of Doom. And if they take The Godfather Part II approach where they do parallel narratives with a 30s era Indy (to smooth the transition to the inevitable recast), one hopes they favor the "Michael Corleone" plot line by a ratio of like 90/10.

Oh, and somehow I knew this would happen before another Indy video game showed up.

Comments: 3 / Source: Variety

There have been these silly rumors that Disney wants Chris Pratt to star as Indiana Jones in a reboot of that film series, but according to a guy at Deadline it's totally the case, and what's more, Spielberg himself wants to direct it.

Considering there's no script and Spielberg gets attached to every single movie project in development (he was once slated to direct American Sniper and Interstellar), his involvement is far from a certainty, but it would make me excited, especially if they take a Godfather Part II approach as I've seen proposed, and the movie alternates between Old Indy (Ford) and Young Indy's (Pratt) timeline, telling a story that relates the two adventures. In this way you get a potentially better send-off for Ford (since Crystal Skull snatched away his sunset ending), and they will have smoothly transitioned the series over to the reboot era.

So, who is your preferred director to take over Indy if Spielberg inevitably loses interest, and why is it Hal Barwood?

Comments: 5 / Source: Deadline

After hitting the big-time with a co-director credit on 2012's Brave, Sam & Max creator and longtime Pixar employee Steve Purcell will be helming a new Toy Story television special to air on ABC in December, the second of such shorts. Den of Geek reports:

Following in the tiny plastic footsteps of Disney Pixar's first made-for-television special Toy Story Of Terror, is Toy Story That Time Forgot, due to air on ABC in the US this coming December.

Here's the official synopsis for the twenty-two minute special: "During a post-Christmas play date, the gang find themselves in uncharted territory when the coolest set of action figures ever turn out to be dangerously delusional. It's all up to Trixie, the triceratops, if the gang hopes to return to Bonnie's room in this "Toy Story That Time Forgot."

That means more Kristen Schaal in the talented voice cast, alongside regulars Tom Hanks, Tim Allen, Joan Cusack, Wallace Shawn, Timothy Dalton, and Don Rickles. Toy Story That Time Forgot is being headed up by Brave co-writer and co-director, Steve Purcell and produced by Toy Story stalwart, Galyn Susman.

According to the transitive property of pulling stuff out of my ass, we're one step closer to that $350 million Pixar animated Sam & Max feature with all the trimmings. Hey, you can argue with Math or you can win an argument.

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