Mojo never really did much to cover the new cinematic Star Wars trilogy or its assorted spinoffs, because
who gives a damn, it’s not Willow there are countless better online destinations that offer exhaustive and up-to-the-minute coverage of that juvenile nonsense, which to our refined tastes lacks the understated dignity of Kevin Pollack in front of a green screen.
”Teh Mooj” is about the underdogs, and bizarre though it might sound, the Indiana Jones franchise kinda qualifies. Indy has always taken a backseat to Star Wars in both the cinematic and interactive mediums, and with a final installment of the “original recipe” series (meaning, movies that star Harrison Ford and are directed by Steven Spielberg) possibly in the cards, we’re going to try to follow the production as closely as other sites will track the pulse-pounding progress of Episode XIXVV, or whatever installment of that shabby Princess of Mars knockoff we’re on.
Having made that declaration, let’s play catch-up on Indy 5’s sluggish development. In the first eight years after Crystal Skull was released to glowing reviews by Gabez and The Tingler, Lucas and Spielberg made about as much progress on a fifth film as LucasArts did with not dying. In 2016, the film was formally announced with David Koepp as screenwriter and a release date of July 19th, 2019. During the two years Koepp was on the project, the release date was pushed back (to July 10th, 2020), but he indicated that progress was going well. This seemed to be supported by Spielberg who, while promoting Ready Player One in the spring of last year, indicated that he would commence shooting on Indy 5 in the UK in April 2019.
Alas, they were all just pulling our leg the whole time. In June 2018, it was reported that Koepp was out and Jonathan Kasdan (son of Lawrence Kasdan and the screenwriter for Solo: A Star Wars Story) was in for what amounted to a total reset, and with that the release date was kicked further down the road to July 9th, 2021. Spielberg consequently swapped out Indy 5 for his long-gestating remake of West Side Story as his next project, and he is currently prepping it for a shoot that begins next month. Indy 5, if they ever get a script written (and why should we expect eleven years to be long enough for that?) will directly follow.
Too bad they don’t appear to be any closer to delivering that screenplay. The latest rumor is that Kasdan has been shown the door, and scriptwriting duties have been transferred yet again, this time to Disney favorite Dan Fogelman (Cars, Tangled, and the television series This Is Us), for whom the stakes are pretty high when you consider Harrison Ford’s penchant for flying his private plane underwater without a seatbelt.
But the best part is what Kasdan is now working on instead of Indy 5. You guessed it: he and Ron Howard are pitching a Willow television series for the upcoming Disney+ service. It may sound like I’m making this up, but it’s all quite true, completely vindicating my controversial but retrospectively prescient tilt of Mojo toward all things Willow. I knew which way the wind was blowing, fans.
And so, this news post has come full circle. *kisses fingers*